Published September 10, 2009 12:43 pm - If you’re a grown up video gamer who enjoys “Little Big Planet” but would rather run your Sack Boy characters through more mature levels, you’ll get a kick out of “9,” an artistically impressive but ultimately pointless animated adventure.
“9” for the animation. “4” for the story
By Sean McBride
The Port Arthur News
“9”
Focus Features
Directed by Shane Acker
Starring Elijah Wood, John C. Reilly, Jennifer Connelly, Christopher Plummer, Crispin Glover and Martin Landau
Rated PG-13
2 1/2 Stars
If you’re a grown up video gamer who enjoys “Little Big Planet” but would rather run your Sack Boy characters through more mature levels, you’ll get a kick out of “9,” an artistically impressive but ultimately pointless animated adventure.
Based on his Academy Award nominated short film, director Shane Acker gets an opportunity to expand his mini-movie into a full-fledged feature film. The story follows a little burlap rag doll named 9, voiced by Elijah Wood, is who is born into a post-apocalyptic world where humanity and machines have fought each other to extinction. As he explores the post-war rubble, 9 finds that he is not alone. There are eight other rag dolls running around, as well as a couple of left-over machines programmed to hunt and destroy the dolls.
Which means that the movie quickly turns into a series of action scenes where giant mechanical beasts hunt down the little rag dolls. It’s actually pretty exciting stuff, but very repetitive and ultimately pointless. First they fight a cat-robot, then a vulture-machine attacks, and finally a big-boss battle against a giant, one-eyed spider-bot. So what? There’s not enough time spent on characters to make you care about the rag doll’s plight, and there’s no reason to root for the little guys other than a charitable wish for their survival.
On the other hand, “9’s” animation provides plenty of reasons to cheer. The dystopian landscapes provide unique battlegrounds, and I suppose that our nine heroes (known as stitchpunkers) are cute enough, but it’s the villainous robots that really make an impression — like a two-scared-toddlers-had-to-be-taken-out-of-the-theater-level impression. The creations are a nightmarish mix of producer Tim Burton’s fevered imagination and the disturbing animation of Czech surrealist, Jan Svankmajer (wow, there’s a film school fact I never thought that I would use).
Visually, “9” is top-notch, one of the more inventive films of the year. Story-wise, it falls flat, so let’s give “9” a 9 for it’s animation, but only a 4 for the rest.